• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Spencer Critchley

  • Home
  • About
  • Media Appearances
    • Broadcast Appearances
    • Print & Web Coverage
    • My Reporting & Commentary
    • Podcast
    • “Saving Democracy” Events
    • News: Real or Fake?
    • Hallmarks of a #BadArgument
  • Music
  • Photos
  • Subscribe
  • Contact

Donald Trump

How Kellyanne Conway Won Her Debate With CNN’s Brian Stelter — Despite Being Wrong About Everything

July 24, 2017 by Spencer Critchley

[Also published at Huffington Post.] White House counselor Kellyanne Conway and “Reliable Sources” host Brian Stelter had a widely anticipated debate Sunday about the fairness of media coverage of the Trump administration. On every point that came up, Stelter exposed Conway as, at best, misleading.

And yet to some viewers, she was the clear winner.

Tweet by David Martosko: "Watching @KellyAnnPolls absolutely clobber @BrianStelter this morning. Brutal. He's absolutely tied in knots."

How? Stelter and Conway were playing entirely different games.

For Conway, the audience was President Trump and the 36 percent of Americans who still trust him. Speaking past Stelter and connecting with them, she followed the rules of a game defined back in the 60s by the media consultants of the 1968 Nixon for President campaign.

One of them was the eventual founder of Fox News, Roger Ailes. Here’s Ailes in 1970, explaining why Nixon was seen to have lost his 1960 TV debate with John F. Kennedy despite many people believing he had won on the merits:

I think that the lighting was bad. It was experimental at best and sloppily done. His makeup was bad. I think he was tired–and this may have shown in his reaction and response.

I think that before the debates, John Kennedy spent the entire day briefing himself and relaxing, concentrating on the TV encounter.

Mr. Nixon did not do that. He walked in and handled it as if it were any other telecast.

Mr. Nixon, in a sense, stuck to the old school of debating, looking at Mr. Kennedy. But Mr. Kennedy looked at the camera, because he was essentially talking not to his opponent but to the people at home, and he was able to establish a kind of communication between himself and the home viewer. [Emphasis added.]

Ailes, along with other media and advertising experts, coached Nixon to be far more effective on TV for his winning 1968 campaign, and during his time in the White House.

The rules they defined still apply, as you can see by analyzing the video of the Stelter-Conway interview. Let’s start with the splash frame from CNN.com:

Kelly Ann Conway on CNN

Conway looks happy, relaxed, and confident, is well lit by studio lighting, and is wearing red, a power color.

Now let’s look at her in split screen with Stelter:

Brian Stelter & Kelly Ann Conway on CNN

Oh oh. Just seconds in, and Stelter’s losing already.

How do we know? Let’s count the ways.

  1. Kelly is being shot straight on, so she can make direct eye contact through the camera with the viewer. Meanwhile Stelter is being shot from slightly above, so he has to look up. This unavoidably signals submissiveness, no matter what he’s saying. Our brains can’t help but make the unconscious connection: small, less powerful people look up at bigger, more powerful people.
  2. Stelter isn’t as well lit. Compared to Conway, he looks washed out. She, meanwhile, is being sculpted by highlights and eyelights.
  3. He’s wearing more muted colors, dominated by grey.
  4. He appears to be outside, in some random grassy environment (he was in Tucson, on the first day of a family vacation, according to his Twitter feed.) It feels like he’s both literally and symbolically on the outside, while she’s on the inside, in the impressive environment of a CNN studio.
  5. As you play the video, you’ll hear that his sound is weaker as well — and occasional bird tweets don’t help.

And so it goes throughout the interview. As Stelter tries to pin Conway down on one misdirection after another, she just moves blithely on to the next. And each of his sallies feels, I’m sorry to say, “low energy.” At pains to preserve the standards of civil discourse, he repeatedly reassures her of his respect, while she turns her responses into digs at him and CNN.

One example among many:

Stelter: “The scandals are about the president’s lies. About voter fraud, about wire-tapping, his repeated lies about those issues. That’s the scandal.”

Conway: “He doesn’t think he’s lying about those issues.”

It’s OK because he doesn’t think he’s lying? On the page, Conway’s response is ridiculous. But on TV, she looks and sounds unruffled and in control.

Stelter, on the other hand, comes across as alternately tentative, frustrated, and confused:

Brian Stelter & Kelly Ann Conway on CNN

On TV, impressions are what matter much more than words — as Conway’s boss could tell you, you win by looking like you’re winning.

CBS correspondent Lesley Stahl has often told the story of how she learned this lesson from a Reagan administration official back in 1984. Here’s how she related it to Bill Moyers in a 1989 interview:

I did a piece that was-where I was quite negative, to be honest with you, about Reagan. And yet the pictures were terrific, and I thought they’d be mad at me, but they weren’t. They loved it. And the official outright said to me, “They didn’t hear you. Didn’t hear what you said. They only saw those pictures.” And what he really meant was it’s the visual impact that overrides the verbal.

And that’s what happened, yet again, here.

Filed Under: Communication, Journalism, Politics & Society Tagged With: Donald Trump, journalism, media

America Is A Creed, Not a Tribe — And Too Few Americans Know Why That Matters

July 10, 2017 by Spencer Critchley

Statue of Liberty at night
0X010C via Wikimedia Commons

[Also published at Huffington Post.] Donald Trump’s recent speech in Poland sent chills down the spines of people around the world who believe in small l, small d liberal democracy. Notably this part:

We must work together to confront forces, whether they come from inside or out, from the South or the East, that threaten over time to undermine these values and to erase the bonds of culture, faith and tradition that make us who we are. If left unchecked, these forces will undermine our courage, sap our spirit, and weaken our will to defend ourselves and our societies.

What’s so disturbing? Many Trump supporters honestly see no problem — why shouldn’t we defend America, in partnership with our allies?

Because what Trump is describing here isn’t America. And sadly, many Americans failed to notice.

America, as patriots (including me) like to point out, is exceptional. But if some of those patriots don’t see the problem in what Trump said in Poland — and has said in other, starker, ways — then I submit they don’t understand why America is exceptional.

Because it isn’t bonds of culture, faith, and tradition that “make us who we are” — and it certainly isn’t xenophobic opposition to the South or the East, in defense of an ethnocentric West. Culture, faith, and tradition are important in all countries. But in America, they’re not essential. Those things are essential only to the nations of the past: nations that were formed from tribes.

What’s exceptional about America is that it isn’t a tribe. It’s a creed.

You’re not an American because of your blood, or the soil on which you were born, or the religion you practice. You’re an American because you believe in the American creed. That’s the essential miracle of this country.

The creed was defined in the Preamble to the Declaration of Independence, which its author Thomas Jefferson intended as “an expression of the American mind,” and which, as I hope we all still remember, begins with these words:

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.

It’s why Jefferson built his first Inaugural Address to lead to this climax:

These principles [freedom of religion; freedom of the press; and freedom of person, and others] form the bright constellation, which has gone before us and guided our steps through an age of revolution and reformation. The wisdom of our sages, and blood of our heroes have been devoted to their attainment: they should be the creed of our political faith; the text of civic instruction… (Emphasis added.)

It’s why Abraham Lincoln summoned that creed anew to mark the end of the Civil War:

Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.

It’s why Emma Lazarus wrote her sonnet for the Statue of Liberty, depicting it as a “New Colossus”: a symbol not of nationalistic conquest, like the ancient Colossus of Rhodes, but of the far greater power of democratic values:

Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name MOTHER OF EXILES. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame.

“Keep, ancient lands, your storied pomp!” cries she With silent lips. “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!”

It’s why in 1918 William Tyler Page and the U.S. Congress sought to inspire American soldiers with “The American Creed”:

I believe in the United States of America as a government of the people, by the people, for the people; whose just powers are derived from the consent of the governed; a democracy in a republic; a sovereign Nation of many sovereign States; a perfect union, one and inseparable; established upon those principles of freedom, equality, justice, and humanity for which American patriots sacrificed their lives and fortunes…

And it’s why the British poet G.K. Chesterton described America as “the only nation in the world that is founded on a creed.”

In a land where religion and the state are carefully separated — for the protection of both — the creed is the basis of what has been called our civil religion.

In Poland, Trump was speaking words of ethnic nationalism. They are words that could describe many countries.

But not America.

They are the words of someone who doesn’t know what America is.

Filed Under: Politics & Society Tagged With: democracy, Donald Trump

12 Ways You Now Have To Tell Your Kids Not To Be Like The President

June 29, 2017 by Spencer Critchley

Mother talking to her young son
iStock

[Also published at Huffington Post.] Think of it — especially now, after Trump’s vicious, sexist tweet about Mika Brzezinski.

If you’re raising children, these are just some of the ways you now have to tell them not to be like the President of the United States:

  1. Don’t lie.
  2. Don’t cheat.
  3. Don’t be mean.
  4. Don’t be racist.
  5. Don’t disrespect women.
  6. Don’t mock disabled people.
  7. Don’t be selfish.
  8. Don’t boast about things you do, or claim credit for things you don’t do.
  9. Don’t blame your mistakes on others.
  10. Don’t drop things just because they’re hard.
  11. Don’t skip your homework and watch TV.
  12. Don’t try to fake it.

Oh, and Junior, just in case it ever needs saying: Don’t praise murderous dictators, don’t share secret intelligence with our enemies, don’t weaken our alliances, don’t do business with gangsters, don’t stiff charities, don’t set up a scam university, don’t profit from public service, and don’t attack the free press, the independent judiciary, or any of the other foundations of our democracy.

Filed Under: Politics & Society Tagged With: Donald Trump

It Isn’t Just Trump: The Roots Of Democracy’s Crisis Are Many and Deep

May 10, 2017 by Spencer Critchley

Tiny American flag in crowd at political rally

[Also published at Huffington Post.] I’ll soon be taking part in a panel discussion on the crisis of democracy.

In preparation, I started a list of answers to the question, “How did we get here?”

I was amazed at how fast that list grew.

Many see Donald Trump as an expression of that crisis — though some look at him and see the problem and others, the solution. But, as my list showed me so clearly, Trump doesn’t come close to being the explanation. And we need one — or more likely, many — as we try to figure out not just how we got here, but where we’re going.

So I’d like to share my list — no doubt still incomplete — and invite your thoughts. Here are some of the reasons I think democracy is in crisis.

The fight, from the founding, over what democracy is. Should the federal government be strong, as Alexander Hamilton argued, or weak, as Thomas Jefferson did? Which is more important, the freedom of the group, or of the individual? How do we balance respecting the will of the people with protecting against demagoguery and mob rule?

… And over what America is. Is the essence of America its democratic creed — as Jefferson asserted — or is it an ethnic homeland, as Andrew Jackson saw it? Under the present administration, the issue is very much alive.

Slavery and its aftermath. Although the Civil War ended in 1865, America only started to become a full democracy a century later, when African-Americans were first able to exercise the franchise in full. To this day, we live with the lingering effects of racial injustice and its twins, shame, and denial. As one example among many…

Voter suppression, supposedly justified by insignificant levels of voter fraud.

The backlash to increasing social equality. Experiments show that people value relative social status more than money. Those close to the bottom are especially afraid of letting others climb past them — one explanation for why poor people sometimes vote against their own economic interest. Others are cultural anxiety — fear of losing one’s traditional culture, independent of active prejudice against others — and outright bigotry.

The backlash to economic inequality, as wealth gains have flowed to the top while wages for the middle while working classes have stagnated. Researchers disagree, though, about how much this drove the recent election results, as compared with ethnic and cultural tensions.

The culture war, especially since the 1960’s, over moral and religious values. Although the Constitution says there can’t be an official religion in the United States, there used to be one by default — church and state only really got separated recently. And for all that liberals saw the 60’s as a time of progress, especially with the advancement of women, minorities and gay people, conservatives saw the beginning of a national decline into chaos. That bolstered their support for law and order, and, potentially, more authoritarian leadership.

The hyper-politicization of the judiciary. FDR may have started it by trying to pack the Supreme Court, but it was 1973’s Roe vs. Wade decision that made politics a litmus test for every new justice thereafter. When one side sees abortion as a civil right and the other sees it as murder, democratic compromise is hard to achieve. So people turn to alternatives, like the courts.

Terrorism, which has scared many of us into compromising democratic values in favor of security.

The abandonment of the Enlightenment and its focus on reason: on the left as well as the right, we increasingly prefer emotion and intuition, whether because of religion, new age spirituality, the self-help industry, Hollywood, or other causes. A related phenomenon is The Death of Expertise as described by author Tom Nichols: on the right and the left, we find people who seem to believe all opinions are equally valid, no matter how ill-informed.

Religious extremism, by which some claim that God’s law should outweigh any that humans create — and that they know exactly how God would vote. It has a long history in the U.S., and grew stronger through the use of media, starting with radio pioneers like Father Coughlin and continuing on TV and the internet.

Illiberal liberalism. The right has its moral absolutists, but the left does, too. Let me be clear, I don’t think it’s “political correctness run amok” to object to hateful speech. But we’ve seen some cases of speakers being silenced simply because others strongly disagreed with them. There’s a reason the First Amendment comes first: to protect democracy, we have to tolerate a lot of disagreement before shutting people down.

The weakening of institutions, including education and journalism, the two pillars that make government by an informed citizenry viable, as our founders well knew.

Uninvolved citizens, with low interest in politics, and low propensity to vote, whether because of loss of faith in the process, or lack of civics education, or…

Entertainment and consumption as opiates of the masses. We seem to be Amusing Ourselves to Death, as author Neil Postman predicted: choosing to surrender our rights and duties as citizens in exchange for endless diversion.

Entertainment industry clichés about politics and government. In movies and TV shows, it’s all corruption, full of shadowy conspiracies, and only the heroic individual can beat it. People who have worked in public service know this is far from true, but many, many Americans are sure that it is.

Scientific marketing of candidates and causes, leading to ever more partisan and divisive campaigns, which are based on pushing psychological buttons instead of making coherent policy arguments. After the birth of modern propaganda in the 1920’s, this trend really got going in the 60’s with the Kennedy and Nixon campaigns, got a big boost from Karl Rove and his data-driven targeting, went hyperbolic in the 90’s with psychologist Frank Luntz’s toxic messaging strategy for Newt Gingrich and his Republican Revolution, and is now exploiting all the tools that marketing, psychology, and technology have to offer.

Negative branding of government as a political tactic, especially starting with Reagan’s message of “government is the problem, not the solution” message.

Pork barrel politics — as well as less pork barrel politics. Pork barrel spending by Congress causes people to lose faith in the system of checks and balances. But reducing pork, say by banning earmarks, may have the unanticipated side-effect of making Congressional deal-making harder, and recalcitrance easier, by reducing the leverage leaders have over rank and file members.

Gerrymandering, which reduces incentives for compromise.

The removal of restrictions on campaign finance, along with the growth of lobbying, and the new role of billionaires as power brokers to rival the parties. These are also destructive to voters’ faith in the system.

The end of the Fairness Doctrine, making it legal to present opinion and provocation as news, and thereby possible to make huge amounts of money — a segment of media and politics became a highly profitable outrage industry.

The rise of talk radio, digital cable TV, and the internet, leading to the fragmentation of world views, the growth of the outrage industry, and greater reach for extremists.

Urbanization, which has made the rural/urban divide, now much more extreme than it was at the founding — and it was very divisive then, as the hostility between Jefferson and Hamilton showed.

The Big Sort of Americans into like-minded communities, as described by author Bill Bishop, enabled by technologies like electricity, air conditioning, and highways.

Web and social media algorithms that exacerbate the Big Sort by showing people only content that they’re likely to agree with.

Anxiety over the increasing complexity of the world, giving rise to a longing for simple solutions, and making authoritarianism more attractive.

Fake news via scam websites, social media, and organized campaigns, enabled by the near-zero cost of producing and distributing counterfeit information, and the difficulty many of us have detecting it.

Postmodern philosophy going mainstream, migrating from the academic theory to playbook. We now see some political operatives explicitly arguing that reality is whatever we say it is.

What else?

This post was prepared in preparation for the panel discussion “Is There Hope for Democracy?” at the Irvine Auditorium in Monterey, California, on May 17, 2017.

Filed Under: Politics & Society Tagged With: democracy, Donald Trump, populism

7 Tips for Telling Real News from Fake

February 16, 2017 by Spencer Critchley

I’ve been hearing a lot lately from people who feel overwhelmed by all the drastically different news narratives fighting for their attention — especially, of course, the ones about Donald Trump.

Photo of people in a waiting room reading various news sources.
Photo: iStock

Real news? Fake news? How do you tell the difference?

Here’s a seven-point checklist of the most essential things to know.

1. Be skeptical. There’s an old saying in journalism: “If your mother says she loves you, check it out.” Reporters are supposed to look hard at what they think they know, and so should their audience. Reputable news outlets “show their work,” so you can see how they came to their conclusions. Are the sources solid? Does the logic makes sense? (More on this below.)

2. If the story is sensational, be more skeptical. Amazing things are amazing for a reason: they don’t happen very often. There are a lot more amazing stories in the world — because they make money — than there are amazing things that actually happened. This is why serious news sources tend to be less exciting to read than tabloids are. Memorize or bookmark these fact-checking sites:

  • Politifact.com
  • Washington Post Factchecker
  • Snopes.com

3. If the story reinforces what you already believe, be more skeptical. We all suffer from confirmation bias, the tendency to accept information that supports our beliefs, and ignore or reject information that doesn’t. If you want accurate information instead of just flattery, you’re going to have to fight your own confirmation bias. And please, don’t fall into the trap of assuming that all news you don’t like is “fake.” (More on this below, too.)

4. Check the sources. The sources of a story are like the foundation of a building: if they’re not solid, the whole thing is likely to collapse. Sources should be objective and as close to the original information as possible. So, for example, a respected, independent scientific research organization is more credible than a partisan think tank, and still more credible than a random person with an opinion.

There should be more than one source, unless the story is an interview or there is something exceptional about what this source has to say. Here’s part of the Reuters guidelines on sources, which are typical of those used by all credible news outlets:

You must source every statement in every story unless it is an established fact or is information clearly in the public domain, such as court documents or in instances when the reporter, photographer or camera operator was on the scene.

Adherence to this standard is the reason credible reporters don’t just assert things, like “Unemployment is down.” Instead, they’ll write “Unemployment has fallen to 4.7 percent, according to the U.S. Bureau of Labor Statistics.”

Beware of attempts to fool you with sources that look credible, but aren’t. These include organizations that appear to be government agencies, respected research institutions, or major news organizations, but aren’t. Look them up. While even the best sources can make mistakes, there’s usually a good reason for a good reputation.

5. Check the logic. Not only should the facts of the story be solid, so should the way they’re connected. Let’s say you hear that a person wearing sneakers has robbed a bank. Does this mean all sneaker-wearers are probably bank robbers? Of course not.

If a scientific study found that many bank robbers do wear sneakers, then we’d at least know there’s a correlation of some kind. But we still wouldn’t know that wearing sneakers means someone is likely to be a crook. It could just be that robbers like to be able to run fast. All of this would need to be checked out.

It may be easy to see the problem with jumping to conclusions about sneaker wearers, but this kind of illogic is common in less-than-credible news outlets, and often goes unchallenged by consumers. For example, because some immigrants commit crimes, many people conclude that immigrants are more dangerous, and some news outlets encourage that belief. But the logic doesn’t follow, and when we check the facts, we find that first generation immigrants commit less crime than native-born Americans do.

Now, here’s a test. Do you yourself believe that immigrants are less likely to commit crimes? Then please be aware that your own confirmation bias makes you more likely to accept what I just said, on faith. Please check — using credible, objective sources, not just the ones who always tell you what you want to hear — to see for yourself.

And the same if you still believe immigrants are more likely to be criminals: be aware that your confirmation bias makes you more likely to reject what I’m saying. Check for yourself — again, using credible, objective sources, not just the ones who always tell you what you want to hear.

6. Understand what you’re looking at. The difference between reliable and unreliable isn’t always black and white. There are different kinds of content that meet, or fail to meet, different kinds of standards:

Hard news. This is just the facts. For example: “A home on 13th St. suffered extensive damage last night after a 30-foot elm tree was blown over by 60 mph winds.”

Opinion. This may be an editorial, an op-ed (in newspapers, this is opinion that appears on the page opposite the editorial page), or a blog post. It’s not a problem if it’s biased — that’s what opinion means. Many good newspapers have a clear bias on their editorial pages, but give straight reporting on their news pages. Reputable opinion writers will base their arguments on verifiable facts, because opinion isn’t an excuse to make things up. You should feel confident that you can agree or disagree without worrying about being misled.

Feature story. This is softer, interpretive coverage of a story or people, exploring meaning and emotion. For example: “Frank Sinatra, holding a glass of bourbon in one hand and a cigarette in the other, stood in a dark corner of the bar between two attractive but fading blondes who sat waiting for him to say something.” That’s the opening sentence of one of the most famous feature stories of all, “Frank Sinatra Has a Cold,” by Gay Talese. Although a feature story is subjective, all facts it cites should be objectively true (unless it’s clear the writer is playing with the boundaries between fact and fiction, the way Hunter S. Thompson did, for example).

Biased, but still valid, news. Since reporters are humans, it’s impossible for any of them to be 100 percent bias free — even our story about the tree hitting the house showed more concern for the house than for the tree. But some outlets report hard news from a biased perspective. As long as they’re careful with facts and logic, such outlets can be worth consulting — especially if they challenge your own biases.

News that’s so biased it’s misleading. To support their in-house bias, some outlets twist facts and logic so much that they do more harm than good. This describes some other tabloids.

Fake news. Fake news is just made up from thin air.

7. Understand “Who benefits?” This is a technique, known by its Latin translation of cui bono, used by investigators. They find suspects by identifying who benefits from the crime.

It can help you decide whether news is real or fake.

Is the mainstream media fake news, the way we hear so often lately? No, and the charge is irresponsible, because it undermines the legitimacy of the free press, which is a foundation of democracy. What “mainstream” means is commitment to traditional standards of accuracy. Each mainstream outlet has strict ethical standards (for example, these) and will quickly discipline or fire reporters who violate them.

By far, most mainstream journalists, whatever their shortcomings, want to meet those standards. They got into the business in the first place because they wanted to discover the truth.

Even if you find that hard to believe (in my experience, it’s true), consider this: whatever their shortcomings may be, mainstream media companies benefit by getting the facts right, not wrong. Objectivity in journalism grew out of the business opportunity of selling content to all kinds of readers, conservative and liberal, many of whom make important decisions based on the accuracy of what they get from the mainstream news, and wouldn’t be happy to learn it was fake. Meanwhile, advertisers in mainstream media are there because they want to reach a large audience. They have no interest in seeing some of that audience turned off by partisan coverage.

Some less reputable media companies, though, make money a different way: by selling not facts, but sensation. They’re aiming to catch the attention of gullible people who are swayed by emotion, and they tend to attract advertisers who like that kind of customer.

Remember tip 2: If the story is sensational, be more skeptical.

So if you hear someone claim the mainstream media is fake, ask yourself, ”Who benefits from making me believe that?”

Answer: people who want to get away with stuff.

So who can you trust?

I won’t try to list all the credible news outlets, but here are a few of the most widely trusted: the Washington Post, the New York Times, the Wall Street Journal, the Associated Press, and Reuters. None is perfect, of course — remember: humans — but all are excellent. They originate much of the news you hear each day and they have enough skilled reporters to cover a wide range of topics in depth.

How do you know I’m steering you straight? You can now check for yourself — and I hope you will.

I’ll leave you with a thought from Thomas Jefferson, who, despite his own problems with the press, was one of its greatest champions:

No experiment can be more interesting than that we are now trying, and which we trust will end in establishing the fact, that man may be governed by reason and truth. Our first object should therefore be, to leave open to him all the avenues to truth. The most effectual hitherto found, is the freedom of the press. It is, therefore, the first shut up by those who fear the investigation of their actions. (Letter to Judge John Tyler Washington, June 28, 1804.)

This post was updated Oct.3, 2024: shortened list of factchecking sites, added more suggested news sources.

________________

Photo: iStock

Filed Under: Communication, Journalism, Politics & Society Tagged With: Donald Trump, fake news, journalism, news

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 3
  • Page 4
  • Page 5
  • Page 6
  • Page 7
  • Interim pages omitted …
  • Page 9
  • Go to Next Page »

Primary Sidebar

Search This Site

Broadcast Appearances

Spencer Critchley on Spectrum News 1 LA

Book

Patriots of Two Nations by Spencer Critchley
Kindle & paperback at Amazon. Audio book at Audible. EPUB format here.

New Music: Jailbreak

Cover image for the song "Jailbreak:" a ruined motel by the side of a lonely desert road.

Podcast

Dastardly Cleverness in the Service of Good

Social Media

Substack

YouTube

Music: The Critchleys

The Critchleys: Owen and Spencer Critchley

About Me

Spencer Critchley

Jump to Recent Posts

New Music: The Desert Mothers

The True Crisis

Outside in the Rain

The Liberal Backbone

Slowly and then all at once

On the Podcast: A Letter to a Friend Voting for Trump

“The War of the Worldviews” at TedX Pugwash

Recent Comments

  • terry rankin on “The War of the Worldviews” at TedX Pugwash
  • Spencer Critchley on Why Biden was right to link MAGA, the Confederacy & the Axis in his SOTU address
  • Spencer Critchley on Why Biden was right to link MAGA, the Confederacy & the Axis in his SOTU address
  • Scott Sexton on Why Biden was right to link MAGA, the Confederacy & the Axis in his SOTU address
  • Anonymous on Why Biden was right to link MAGA, the Confederacy & the Axis in his SOTU address

Photos

Spencer Critchley on Fox News' Cavuto
Barack Obama photo by Spencer Critchley
Bruce Springsteen photo by Spencer Critchley
Jay-Z photo by Spencer Critchley
Tiny American flag in crowd at political rally
Director Elizabeth Thompson & Composer/Audio Producer Spencer Critchley with the Emmy for the PBS documentary "Blink."

Find more photos here.

Privacy Policy

Learn how this site collects information and how you can control that.

© 2005–2026 Spencer Critchley